If we look back over the history of

If we look back over the history of Holocaust dramas in West Germany, we will find only two plays which facilitated emotional identification with the victims as Jews: Frances Goodrich and Albert Hackett’s play based on the diaries of Anne Frank and, in a more limited and mediated way, Hochhuth’s Deputy, both distinctly non-Brechtian plays which rely heavily on audience identification with the protagonists.

Hasil (Bahasa Indonesia) 1:

Jika kita melihat ke belakang melalui sejarah drama Holocaust di Jerman Barat, kita akan menemukan hanya dua memainkan yang difasilitasi emosional identifikasi dengan korban sebagai Yahudi: Frances Goodrich dan Albert Hackett bermain Berdasarkan Diary Anne Frank dan, dalam cara yang lebih terbatas dan ditengahi, Hochhuth's Deputi, kedua jelas non-Brechtian memainkan yang sangat bergantung pada identifikasi penonton dengan protagonis.

Hasil (Bahasa Indonesia) 2:

If we look back at the history of the Holocaust drama in West Germany, we will find only two plays which facilitated emotional identification with the victims as Jews: Frances Goodrich and Albert Hackett's play based on the diary of Anne Frank and, in a more limited and mediated way, Hochhuth Vice both play a decidedly non-Brechtian that rely heavily on audience identification with the protagonist.