I. The Rise of National Styles: Ita

I. The Rise of National Styles: Italy (CHWM 126–27, NAWM 51)

Frottola and lauda
The Italian frottola (pl. frottole) and lauda (pl. laude) were strophic, four-part homophonic songs with the melody in the upper voice. Frottole were highbrow versions of popular songs written for the aristocracy, and laude were devotional songs. Music: NAWM 51
Villanella
The villanella was a light, secular, strophic, homophonic song for three voices.
Balletto
The balletto was used for dancing and singing and had a "Fa-la-la" refrain.
Petrarchan movement
The rise of the madrigal was closely connected to renewed interest in the poetry and ideals of the fourteenth-century Italian poet Petrarch, whose poems reflect their mood or imagery of the words in the sound of their language.

Hasil (Bahasa Indonesia) 2:

I. The Rise of Styles Nasional: Italia (CHWM 126-27, NAWM 51) Frottola dan Lauda The frottola Italia (pl frottole.) Dan Lauda (pl laude.) Yang strophic, lagu empat bagian homophonic dengan melodi di atas suara. Frottole yang versi intelek dari lagu-lagu populer yang ditulis untuk aristokrasi, dan laude yang lagu-lagu pujian. Musik: NAWM 51 Villanella. Villanella adalah cahaya, sekuler, strophic, lagu homophonic selama tiga suara Balletto. Balletto ini digunakan untuk menari dan menyanyi dan memiliki "Fa-la-la" menahan diri gerakan Petrarchan Munculnya madrigal itu berhubungan erat dengan minat baru dalam puisi dan cita-cita abad keempat belas penyair Italia Petrarch, yang puisi mencerminkan suasana hati atau citra dari kata-kata dalam suara bahasa mereka mereka.