Alternative title: frottoleFrottola, plural Frottole, Italian secular  terjemahan - Alternative title: frottoleFrottola, plural Frottole, Italian secular  Bahasa Indonesia Bagaimana mengatakan

Alternative title: frottoleFrottola

Alternative title: frottole
Frottola, plural Frottole, Italian secular song popular in the late 15th and early 16th centuries. Usually the frottola was a composition for four voice parts with the melody in the top line. Frottole could be performed by unaccompanied voices or by a solo voice with instrumental accompaniment. The frottola had chordal texture and clear-cut rhythm, usually in 3/4 or 4/4 metre. The voice parts had narrow ranges and frequently repeated voices. Its musical style was simple, in deliberate contrast to the complexity of more sophisticated vocal music of the period. The frottola, as it developed by 1530, was the direct antecedent of the 16th-century madrigal.

The frottola was aristocratic music, although popular tunes were sometimes incorporated. Under the patronage of Isabella d’Este, the frottola developed at the court at Mantua, and it also became popular at other courts of northern Italy, particularly at Ferrara and Urbino. Serafino dall’Aquila (d. 1500) was an important frottola poet. The most important composers of frottola were Bartolomeo Tromboncino (d. c. 1535) and Marchetto Cara (d. c. 1530). At times the same person wrote both text and music.

Frottola texts were usually of limited literary value, typically consisting of several six-line verses, each followed by a four-line refrain, using the same music.

The term frottola was also used for a class of compositions, some with specific poetic forms, including the strambotto, the oda, and the barzelletta. Ottaviano dei Petrucci, the first significant printer to use movable music type, printed 11 books of frottole in Venice between 1504 and 1514.
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Alternative title: frottoleFrottola, plural Frottole, Italian secular song popular in the late 15th and early 16th centuries. Usually the frottola was a composition for four voice parts with the melody in the top line. Frottole could be performed by unaccompanied voices or by a solo voice with instrumental accompaniment. The frottola had chordal texture and clear-cut rhythm, usually in 3/4 or 4/4 metre. The voice parts had narrow ranges and frequently repeated voices. Its musical style was simple, in deliberate contrast to the complexity of more sophisticated vocal music of the period. The frottola, as it developed by 1530, was the direct antecedent of the 16th-century madrigal.The frottola was aristocratic music, although popular tunes were sometimes incorporated. Under the patronage of Isabella d’Este, the frottola developed at the court at Mantua, and it also became popular at other courts of northern Italy, particularly at Ferrara and Urbino. Serafino dall’Aquila (d. 1500) was an important frottola poet. The most important composers of frottola were Bartolomeo Tromboncino (d. c. 1535) and Marchetto Cara (d. c. 1530). At times the same person wrote both text and music.Frottola texts were usually of limited literary value, typically consisting of several six-line verses, each followed by a four-line refrain, using the same music.The term frottola was also used for a class of compositions, some with specific poetic forms, including the strambotto, the oda, and the barzelletta. Ottaviano dei Petrucci, the first significant printer to use movable music type, printed 11 books of frottole in Venice between 1504 and 1514.
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Judul alternatif: frottole
Frottola, plural Frottole, Italia sekuler lagu populer di 15-an dan 16 abad awal. Biasanya frottola adalah komposisi untuk empat bagian suara dengan melodi di bagian atas. Frottole bisa dilakukan oleh suara-suara tanpa ditemani atau dengan suara solo dengan iringan instrumental. Frottola memiliki tekstur korda dan jelas irama, biasanya dalam 3/4 atau 4/4 meteran. Bagian suara memiliki rentang yang sempit dan suara sering diulang. Gaya musik yang sederhana, berbeda sengaja untuk kompleksitas musik vokal yang lebih canggih periode. Frottola, karena dikembangkan oleh 1530, adalah anteseden langsung dari madrigal abad ke-16. Frottola itu musik aristokrat, meskipun lagu-lagu populer yang kadang-kadang dimasukkan. Di bawah perlindungan Isabella d'Este, frottola yang dikembangkan di pengadilan di Mantua, dan juga menjadi populer di pengadilan lain dari Italia utara, terutama di Ferrara dan Urbino. Serafino dall'Aquila (d. 1500) adalah seorang penyair frottola penting. Komponis yang paling penting dari frottola yang Bartolomeo Tromboncino (dc 1535) dan Marchetto Cara (dc 1530). Pada saat orang yang sama menulis teks dan musik. Teks Frottola biasanya nilai sastra yang terbatas, biasanya terdiri dari beberapa ayat enam-line, masing-masing diikuti oleh refrain empat baris, menggunakan musik yang sama. The frottola istilah juga digunakan untuk kelas komposisi, beberapa dengan bentuk puitis tertentu, termasuk strambotto, oda, dan barzelletta tersebut. Ottaviano dei Petrucci, printer signifikan pertama yang menggunakan movable jenis musik, dicetak 11 buku dari frottole di Venice antara 1504 dan 1514.





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