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Bahasa Indonesia) 1:
[Salinan]Disalin!
ProductionThis increased flexibility and informality of our interaction with media texts of all kinds is equallypresent in the field of media production. Here, too, we have seen the development of productiontechnologies and processes that have challenged the older centralised methods ofindustrial organisation and mass media production sectors. These changes can be perceivedwithin the professional audiovisual industries as well as within our everyday domestic spheres.Today, media industries are facing the fact that the conjunction of computer-based communicationsand existing broadcast technologies has created a wholly new and fluid area ofmedia production. The traditional boundaries and definitions between different mediaprocesses are broken down and reconfigured. The specialist craft skills of twentieth-centurymedia production have become more generally dispersed throughout the population as awhole, in the form of a widening baseline of ‘computer literacy’, information technology skills,and especially the availability of software that increasingly affords the production of ‘usergeneratedcontent’ (see 3.21) .Across the period, the range of sites for the production of media content has expanded –production has been dispersing itself more thoroughly into the general economy, now frequentlydubbed ‘the knowledge economy’ or the ‘information society’. This dispersal ofproduction can also be observed from the perspective of the everyday worlds of work anddomesticity. Consider the proximity of media production processes to a twentieth-century citizen.In the UK during the 1970s, for instance, the nineteenth-century media processes ofprint and photography would probably have been the only kind of media productionprocesses that might be used or discussed in everyday life as part of civic, commercial, culturalor political activity. Broadcasting and publishing systems (the ‘press’) were mostly verydistant from the lives of ordinary people. However, by the end of the century, print productionwas easier than ever through digitised desktop publishing, and editorial and design technologieswere all available in domestic software packages. Photographic production through
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