Modern graphic icons such as the I Love NY logo—a tourism-campaign sym terjemahan - Modern graphic icons such as the I Love NY logo—a tourism-campaign sym Bahasa Indonesia Bagaimana mengatakan

Modern graphic icons such as the I

Modern graphic icons such as the I Love NY logo—a tourism-campaign symbol created for the New York State Department of Commerce that became "the most frequently imitated logo design in human history"—are showcased as the Philadelphia Museum of Art and COLLAB salute designer Milton Glaser. Taking inspiration from the history of art and graphic design, Glaser created a new style of graphic communication that combines visual and intellectual concepts. This focused retrospective exhibition illustrates the variety and invention of his design process. Glaser has received the year 2000 Design Excellence Award from COLLAB, a group of design professionals who support the Museum's contemporary design collections.

Born in 1929 in New York City, Mr. Glaser studied at The Cooper Union Art School and later, as a Fulbright Scholar, attended the Academy of Fine Arts, Bologna, Italy. Throughout a celebrated career, he has designed and illustrated more than 300 posters for clients in the fields of publishing, music, theater, film, and institutional and civic enterprise, in addition to those for commercial products and services. Mr. Glaser was a catalyst and guiding force for the establishment of the enormously influential Pushpin Studios in 1954, and New York Magazine in 1968. Since its founding in 1974, Milton Glaser, Inc., has completed projects in a wide range of design disciplines, including graphic, environmental, and interior design. Mr. Glaser joined with Walter Bernard in 1983 to form WBMG, a publication-design firm that has overseen the redesign of many notable magazines and newspapers, including The Washington Post, U.S. News & World Report, The Village Voice, Money, and The Nation.

Among Mr. Glaser's commissions have been the restaurants, observation deck, and permanent exhibition for the World Trade Center, in 1975, and the Rainbow Room complexes for the Rockefeller Center, in 1987. Also in 1987, Mr. Glaser designed the World Health Organization's International AIDS symbol and poster and, in 1993, he created the logo for Tony Kushner's Pulitzer Prize-winning play, Angels in America. In the Philadelphia area, Mr. Glaser's projects have included Sesame Place, in 1981–1983, and Franklin Mills Mall, in 1986–1989.

Mr. Glaser has been the subject of solo exhibitions at the Centre Georges Pompidou, Paris; the Lincoln Center Gallery, New York; and the Houghton Gallery at The Cooper Union, New York. His work is included in the permanent collections of the Museum of Modern Art, New York; The Israel Museum, Jerusalem; the National Archive, Smithsonian Institute, Washington, D.C.; and the Cooper Hewitt National Design Museum, New York. He is a recipient of The Society of Illustrator's Gold Medal, the St. Gauden's Medal from The Cooper Union, and the Prix Savignac for the World's Most Memorable Poster of 1996, and is a member of The Art Director's Club Hall of Fame.
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Ikon grafis modern seperti aku cinta NY logo — simbol pariwisata-kampanye yang dibuat untuk New York State departemen perdagangan yang menjadi "yang paling sering ditiru desain logo dalam sejarah manusia" — yang dipamerkan sebagai Philadelphia Museum of Art dan COLLAB salut desainer Milton Glaser. Mengambil inspirasi dari sejarah seni dan desain grafis, Glaser menciptakan gaya baru grafis komunikasi yang menggabungkan konsep visual dan intelektual. Pameran retrospektif terfokus ini menggambarkan berbagai dan penemuan proses desain nya. Glaser telah menerima tahun 2000 desain Excellence Award dari COLLAB, sekelompok profesional desain yang mendukung Museum's kontemporer desain koleksi.

lahir 1929 di New York City, Mr. Glaser belajar di The Cooper Union Art School dan kemudian, sebagai Fulbright Scholar, yang menghadiri Academy of Fine Arts, Bologna, Italia. Seluruh dirayakan karir, ia telah dirancang dan diilustrasikan lebih dari 300 poster untuk klien dalam bidang penerbitan, musik, teater, film, dan perusahaan kelembagaan dan sipil, selain untuk produk dan Jasa komersial. Mr. Glaser adalah katalis dan kekuatan penuntun untuk pembentukan Studio Pushpin sangat berpengaruh pada tahun 1954, dan New York Magazine tahun 1968. Sejak pendiriannya pada tahun 1974, Milton Glaser, Inc, telah menyelesaikan proyek-proyek dalam berbagai desain disiplin ilmu, termasuk grafik, lingkungan, dan desain interior. Tn. Glaser bergabung dengan Walter Bernard pada tahun 1983 untuk bentuk WBMG, sebuah perusahaan penerbitan-desain yang telah diawasi mendesain ulang banyak terkenal majalah dan koran, termasuk The Washington Post, US News & World Report, The Village Voice, uang, dan bangsa.

antara Mr Glaser di Komisi telah Restoran, dek observasi, dan pameran permanen untuk World Trade Center, pada tahun 1975, dan kompleks Rainbow kamar untuk Rockefeller Center, pada tahun 1987. Juga pada tahun 1987, Mr Glaser dirancang organisasi kesehatan dunia International AIDS simbol dan poster dan, pada tahun 1993, ia menciptakan logo untuk Tony Kushner Pulitzer Prize-winning bermain, malaikat di Amerika. Di daerah Philadelphia, Mr Glaser proyek-proyek termasuk Sesame Place, tahun 1981 – 1983, dan Franklin Mills Mall, di 1986 – 1989.

Mr. Glaser telah menjadi subyek dari Pameran tunggal di Centre Georges Pompidou, Paris; Lincoln Center Galeri, New York; dan Houghton galeri di Cooper Union, New York. Karyanya termasuk dalam koleksi permanen dari Museum of Modern Art, New York; Museum Israel, Yerusalem; Arsip Nasional, Institut Smithsonian, Washington, D.C.; dan Cooper Hewitt Design Museum Nasional, New York. Dia adalah penerima medali emas masyarakat Illustrator, St. Gauden medali dari The Cooper Union, dan Prix Savignac untuk dunia paling berkesan Poster tahun 1996, dan anggota dari The Art Director's Club Hall of Fame.
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Modern graphic icons such as the I Love NY logo—a tourism-campaign symbol created for the New York State Department of Commerce that became "the most frequently imitated logo design in human history"—are showcased as the Philadelphia Museum of Art and COLLAB salute designer Milton Glaser. Taking inspiration from the history of art and graphic design, Glaser created a new style of graphic communication that combines visual and intellectual concepts. This focused retrospective exhibition illustrates the variety and invention of his design process. Glaser has received the year 2000 Design Excellence Award from COLLAB, a group of design professionals who support the Museum's contemporary design collections.

Born in 1929 in New York City, Mr. Glaser studied at The Cooper Union Art School and later, as a Fulbright Scholar, attended the Academy of Fine Arts, Bologna, Italy. Throughout a celebrated career, he has designed and illustrated more than 300 posters for clients in the fields of publishing, music, theater, film, and institutional and civic enterprise, in addition to those for commercial products and services. Mr. Glaser was a catalyst and guiding force for the establishment of the enormously influential Pushpin Studios in 1954, and New York Magazine in 1968. Since its founding in 1974, Milton Glaser, Inc., has completed projects in a wide range of design disciplines, including graphic, environmental, and interior design. Mr. Glaser joined with Walter Bernard in 1983 to form WBMG, a publication-design firm that has overseen the redesign of many notable magazines and newspapers, including The Washington Post, U.S. News & World Report, The Village Voice, Money, and The Nation.

Among Mr. Glaser's commissions have been the restaurants, observation deck, and permanent exhibition for the World Trade Center, in 1975, and the Rainbow Room complexes for the Rockefeller Center, in 1987. Also in 1987, Mr. Glaser designed the World Health Organization's International AIDS symbol and poster and, in 1993, he created the logo for Tony Kushner's Pulitzer Prize-winning play, Angels in America. In the Philadelphia area, Mr. Glaser's projects have included Sesame Place, in 1981–1983, and Franklin Mills Mall, in 1986–1989.

Mr. Glaser has been the subject of solo exhibitions at the Centre Georges Pompidou, Paris; the Lincoln Center Gallery, New York; and the Houghton Gallery at The Cooper Union, New York. His work is included in the permanent collections of the Museum of Modern Art, New York; The Israel Museum, Jerusalem; the National Archive, Smithsonian Institute, Washington, D.C.; and the Cooper Hewitt National Design Museum, New York. He is a recipient of The Society of Illustrator's Gold Medal, the St. Gauden's Medal from The Cooper Union, and the Prix Savignac for the World's Most Memorable Poster of 1996, and is a member of The Art Director's Club Hall of Fame.
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