The narratives of the world are num

The narratives of the world are numberless," wrote Roland Barthes in his "Introduction a l'analyse structurale des recits."* "It is thus legitimate that, far from abandoning any idea of deal-ing with narrative on the grounds of its universality, there should have been (from Aristotle on) a periodic interest in narrative form and it is normal that the newly developing structuralism should make this form one of its first concerns." In the same issue of Communications in which Barthes's essay was first published (vol. 8, 1966), Genette's contribution, "Frontieres du recit," was based on a reading of Aristotle, as was the first articulation of Bremond's semiology of the story, which could be seen as a meticulous sys-tematisation of the formal structures suggested by Aristotle. (Curiously, Todorov, who would show in his other works that he knew Aristotle very well, would base his Grammaire du Decameron on a purely grammatical basis.)
I am not saying that a theory of plot and narrativity emerges only in our century.t But it is curious that contemporary culture returned to this "strong" aspect of the Poetics at the very.time when, as many see it, the form of the novel was entering a period of crisis.

Hasil (Bahasa Indonesia) 2:

Narasi dari dunia adalah terhitung jumlahnya, "tulis Roland Barthes dalam bukunya" Pengantar a l'menganalisis structurale des recits. "*" Dengan demikian sah itu, jauh dari meninggalkan gagasan dari kesepakatan-ing dengan narasi dengan alasan universalitasnya , seharusnya ada (dari Aristoteles pada) minat periodik dalam bentuk narasi dan itu adalah normal bahwa strukturalisme baru berkembang harus membuat formulir ini salah satu keprihatinan pertama. "dalam edisi yang sama Komunikasi yang esai Barthes pertama kali diterbitkan ( vol. 8, 1966), kontribusi Genette ini, "Frontieres du RECit," didasarkan pada pembacaan Aristoteles, seperti artikulasi pertama semiologi Bremond tentang cerita, yang bisa dilihat sebagai teliti sys-tematisation dari struktur formal disarankan oleh Aristoteles. (Anehnya, Todorov, yang akan ditampilkan di karya yang lain bahwa ia tahu Aristoteles sangat baik, akan mendasarkan nya Grammaire du Decameron secara murni tata bahasa.)
saya tidak mengatakan bahwa teori plot dan narrativity muncul hanya dalam century.t kami Tapi itu adalah aneh bahwa budaya kontemporer kembali ke ini aspek "kuat" dari Poetics di very.time ketika, karena banyak melihatnya, bentuk novel ini memasuki masa krisis.